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In 1847 Buenos Aires, a young noblewoman and a young Jesuit fall in love, much to the disapproval of her family and the Church.
A boy is hard pressed to assure you, as a white lie to seem interesting to her friend Carolina Bride who knows the "Titanes", she wants autographs each. The boy's father takes him out of trouble, with great relief the boys are becoming Karadagian friends, the "leader-founder" of the Titans, and his "troupe".
After composing the theme that gives its name to her second solo album, “Madre baile”, Vivi Pozzebón becomes interested in the ethno-musical origins of the cuarteto and the figure of Leonor Marzano, who knew how to mix the tarantella and the paso doble on her piano to give rise to the characteristic rhythm of Córdoba: the cuartero. From here comes this record about the origin of the cuarteto from the 1940s to the present.
