Diploma in Film Direction from the Fémis de Paris. Apart from director, he has also written the script for several shorts. He is also a translator and critic in several specialized magazines (Lumière, Détour, SoFilm ...).
The Night. She doesn't sleep. She calls. She tells. She saw a movie. This film tells the story of two nights. One night which is not seen in images, existing only in the words of The Clock, by Minnelli, an old Hollywood film. One night which is seen in images but about which we hardly know anything, those of a woman who talks about the Clock. So, in fact there are two films, two stories that come together at the same time, getting closer, and moving away, merging with what they have in common: desire, night and the city.
One night. One city. Madrid. Five conversations. Nine characters. They tell personal stories, invented stories, also an old story that goes on from conversation to conversation, a story from an old Japanese film.
A boy met a girl. They spent some time together, they went to the movies often, they gave away things, they traveled. The girl leaves the boy. The boy believed that she was the woman of his life. She gives him a notebook with drawings (the best he knows how to do) and with all the tickets of all the movies that he went to see. The boy takes a camera. A 22-year-old boy who exposes himself in such a way in a film, which expresses himself in the first person offering us some pages of a newspaper, his, which no other person could write in his place, talking to us without concessions of his first history of love and the pain of a break, is not frequent. A boy who shares his pain, the need to film what he loves and what he is losing, his learning of life and the world through cinema -the cinema alone- is also infrequent. A gesture of a filmmaker.