Postdigital Flipbook 2020

Displayed one after another, found images produce an animation that evolves throughout the frame: anonymous people merge with old and contemporary celebrities along surprising transitions, and a meta-face seems to emerge in a new heterogeneous and disruptive space, which continues self-generating. The visual component of big data is thus transposed in a playful way in the form of an image-by-image animation, mirroring the cinematographic device at its origins.

Substance 2021

Gare Saint Lazare N/A

Pichuco 2014 ( 6.3)

A musical tour through the work of Aníbal "Pichuco" Troilo, one of the defining figures of tango and Argentinian music.

100% lucha, el amo de los clones 2009 ( 5)

Damián is the neighbor of Viloni, the most popular wrestler of 100 % Lucha. He has always hated Viloni for his popularity. That's why, taking advantage of his bio-technical knowledge, he creates lots of clones who look exactly like the wrestlers of 100 % Lucha (including Viloni). Viloni will be forced to ally with his enemies on 100 % Lucha to stop the evil doctor.

The Other Memory of the World 2024 ( 5)

Rafael Corral, a 90-year-old man, has spent much of his life in a film archive. As the building is transformed by construction work, Rafael searches for an object that connects him to his past as a ballet dancer for Spanish singer Miguel de Molina. The film explores memory through a building, a man and cinema, walking the corridors of an archive and observing the fragility of the material and the hands that preserve it.

El mundo se ha terminado N/A

Demente 2024

A man and his wife decide to invite a friend to their country house, but a terrible storm prevents anyone from leaving for several months. That weekend stay soon turns into hell.

Silvia Prieto 1999 ( 7.1)

After her 27th birthday, Silvia Prieto decides to take charge of her life and make some changes. At the same time, she suddenly finds herself intertwined in the life of another woman who is also named Silvia Prieto.

Mercy 2025

Based on the poetry cycle of the esteemed African-American poet Cornelius Eady, the film is inspired by the work of Phillis Wheatley, the first published black poet in the US. “Mercy” aims to weave Wheatley's poetry and imagery, which focuses on the complication of the slave learning their captor's language, with gesture, movement and voice into an intricate meditation on black womanhood.