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Pál Kis

Pál Kis

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Moleman 4: Longplay 2017 (9.2)

It is the year 2546. Corporations rule the world, and an agent is on a secret mission to explore the untold stories of the past. His journey leads him into a secret virtual reality where one corporation has recreated the 1980s, an era that witnessed the birth of video game development, an event in which a politically and economically restricted small European country, Hungary, had a significant role. He discovers a strange but exciting world, where computers were smuggled through the Iron Curtain and serious engineers started developing games. This small country was still under Soviet pressure when a group of people managed to set up one of the first game development studios in the world, and western computer stores started clearing room on their shelves for Hungarian products.


Pál Királyhegyi

Pál Királyhegyi

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Aranyborjú 1974

In modern Hungary, con artist Bender Oszkár and his motley crew - Barangó and a band of small-time schemers - embark on a series of outrageous scams to track down an “illegal” millionaire and seize ten million for themselves. As they exploit every trick in the book - fake charities, crooked roulette tables, forged documents - their madcap pursuit of easy riches exposes the absurdities and corruptions of contemporary life, with Bender’s fate hanging on whether his “great maneuver” will pay off or blow up in his face.


Pál Kindlinger

Pál Kindlinger

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Elszállt egy hajó a szélben 1998 (10)

Legends circulate in the public consciousness about Kex, which existed from late 1968 to the autumn of 1971. For baby boomers, it represented freedom and spontaneity. The band rejected the world of Communist cultural policy with its uniqueness and refusal to conform, something in which the best of the artistic intelligentsia and political dissidents saw value. They attended their concerts, and the film recalls their experiences. At times, one feels as if they are watching a spy film parody, as one gains insight into the secret files containing reports from agents embedded within the audience.


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