Olivia Wyatt

Olivia Wyatt

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Most Known for...

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Sailing a Sinking Sea 2015 (6.5)

Sailing a Sinking Sea is a feature-length experimental documentary exploring the culture of the Moken people of Burma and Thailand. The Moken are seafaring people and one of the smallest ethnic minority groups in Asia. Wholly reliant upon the sea, their entire belief system, education, and economic and physical development revolve around water. Sailing a Sinking Sea illuminates the Moken lifestyle through recorded traditional music, folklore and conversations with the Moken people. Through intimate and dynamic cinematography and audio recordings, Sailing a Sinking Sea weaves a visual and aural tapestry of Moken mythologies and present-day practices.
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Staring Into the Sun 2010 (5)

Staring into the Sun is the latest ethno-folk cinema classic from Sublime Frequencies. Ethiopia is known to be one of the oldest areas inhabited by humans and presently has over 80 diverse ethnic groups. Photographer/filmmaker Olivia Wyatt explores 13 different tribes throughout Ethiopia in this visually stunning film. Traveling from the northern highlands to the lower Omo Valley, Wyatt brings together the worlds of Zar spirit possession; Hamer tribal wedding ceremonies; Borena water well polyphonic singing; wild hyena feedings; and bizarre Ethiopian TV segments; presenting an enchanting look at these ethereal images, landscapes and sounds from the horn of Africa. The tribes featured in this film are captured with an unflinching sense of realism and poetic admiration resulting in a visual and aural feast of the senses.
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The Pierced Heart & the Machete 2012

The Pierced Heart & The Machete is a vivid, unflinching exploration of two annual Vodou pilgrimages in Haiti. The first is for Èzili Danto, goddess of love, art and passion; worshipers from all over the world descend on the southwestern town of Ville-Bonheur to bathe in the sacred waterfall where Dantò resides. The second pilgrimage is for Dantòs' husband Ogoun, god of war, iron and healing. It takes place at the end of July in the northern town of Plaine du Nord, where practitioners bathe in a mud pool and make flamboyant sacrifices. This beautifully shot film offers disorienting yet illuminating glimpses of the contradictory and complementary aspects of these two lwa, the electrifying rites that honor them, and the intense music that accompanies these ecstatic and bloody ceremonies.