Olga Prud’homme Farges

Olga Prud’homme Farges

N/A

Most Known for...

Movie Picture

A Very Animated War 2021 (6.7)

From 1945 to 1989, after the capitulation of Nazi Germany, two rival ideologies, communism and capitalism, faced each other in a merciless battle. On one side of the Iron Curtain and on the other, throughout the Cold War, the USSR and the United States sought to shape children’s imaginations through their magazines and films. Never in the history of mankind have so many comic books been published and so many cartoons produced for young people. In November 1989, communism collapsed with the Berlin Wall; capitalism was left to decide the future of the world. What if this victory had been prepared for a long time, and our thinking conditioned, from our early childhood, to ensure this absolute triumph?
Movie Picture

The Cambodian Room: Situations with Antoine D'Agata 2009 (5)

Antoine D'Agata, Magnum photographer since 2004, is in Phnom Penh, Cambodia, where his artistic trail seems to reach an utmost point. After devoting himself to depicting desolated landscapes and borderline realities, D'Agata focuses his art on his intimate human relations. His latest work focuses on body and flesh, in a narrow room. This film catches the hidden part of his art making; his choice of living on the edge and experiencing sex with extreme vitality. It is an apocalyptic and sublime journey, similar to the ones of other heretic artists of contemporary culture, from Jack Kerouac to Antonin Artaud, from Francis Bacon to Pier Paolo Pasolini.
Movie Picture

Limits of Europe 2024 (7)

A prominent Czech journalist Saša Uhlová leaves her family and joins “cheap labour force” in Western Europe. Undercover, she works at an asparagus farm in Germany, tries her hand as a maid at a hotel in Ireland and takes care of the elderly in France. She experiences first-hand the struggles of Eastern European low-wage workers whose sacrifice and hard work allow for the Western society’s comfort. What is the real price that Europe pays for exploiting its own citizens? How do the lives of economic migrants, who have been forced to leave their children and elderly parents, look like? And why are privileged Europeans looking the other way?