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In the heat of the summer lays a lonesome house in the countryside where nine year old twin brothers await their mother’s return. When she comes home, bandaged after cosmetic surgery, nothing is like before and the children start to doubt whether this woman is actually who she says she is.
With harpsichord music in the background, a dandy, seated at a table, plucks a quill pen from a ceiling full of them above him, dips it in ink, thinks, then draws a straight line down the page in front of him, out of which sprout six more quill pens, each held by a hand. The calligrapher moves all the hands and pens in unison, drawing an elaborate feathered wing, which comes to live, peeling off the page, and, now a quill pen, slips in to his hand. He tucks it behind his left ear.
The story and fate of three families: A Jewish family destroyed by the massacres of the Nazis in Lithuania; the family of the culprit, who flew to America and keeps grotesque family cohesion; the family of Ratz, a social democratic family, dissolving itself miserably in today's Vienna. The condemnation of the last century bundled in these three families showing clearly that one could never escape from its own past. Written by themoth-1
Sigmund Freud is one of the most important personalities of the 20th century and has not only left his imprint on psychology, his very own field of knowledge, but also on of science and cultural and intellectual history; indeed, he has shaped the twentieth century altogether. Otto Brusatti's film takes us to Vienna, New York, Rome, Paris and London and shows not only previously unknown material about Freud's life and environment but also takes a cautious look on Freud's doctrine.
