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One day, Eduardo arrives at his house and discovers that Julia, his wife, tried to commit suicide. She left her husband and two children without saying goodbye. After some time, she comes back home. He tries everything to set her straight, but the impossibility of knowing her fully grieves him. The shadow of the suicide and the inevitable ghost of a new chance hover over their heads. Eduardo insists on understanding his wife, but an increasing jealousy and an unexpected discovery of her past torture him. He does not realize that, most of the time, the search for control easily becomes an obsession.
Nádia is a transvestite who wants to be a mother. She will be a mother. She is a mother.
Samuel lives in Ponta Negra, a small village on the coast of Paraty, Brazil. At first the idyllic daily life following the rhythm of nature and the development of the kid's identity set the tone of the film. We go along with the boy and his family for six years. Little by little emerges a more complex reality and its contradictions, between modernity and tradition, nature and technology. The arrival of electricity and tourism in the village crystallizes the deconstruction of an idealized paradise, drawing a portrait of contemporary Brazil.
