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Nina Romano

Nina Romano

1901-10-18
64
Salem, New Jersey, USA

Salem, New Jersey, USA

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Nina Romano photo

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What Happened to Jones 1926 (5.8)

On the night before his wedding, a young man plays poker with friends. When the game is raided by the police, he escapes into a Turkish bath on ladies night, ending up disguised in drag and with difficult explanations to make.


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The Midnight Sun 1926


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The Palace of Pleasure 1926

Don Sebastian, Portuguese Premier, sets a price on the head of royalist Ricardo Madons. Madons is in love with actress Lola Montez, whom Sebastian also adores. Madons abducts Lola and compels her to wed him, but then does not hold her to the compact. Lola, who is really in love with him, repents having sent for assistance when she was taken. When Sebastian's soldiers arrive, Lola is nearly slain when she stops a bullet meant for Madons. She escapes with Madons. The couple find happiness across the border.


Nina Romanovskaja

Nina Romanovskaja

N/A

N/A


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In Memory of the Day Passed By 1990 (6.4)

The film is a day in the life that passes by, even if it seems neverending. In the morning the streets are alive with people, pedestrians and cars, with loud and exultant noise. Such sounds accompany the restless walk of a woman and her child across a dusty street, while Bartas’ gaze wanders through many different perspectives.


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Close Up 1997

A young photographer wanders the city taking pictures with a Polaroid 600, but on each print the silhouette of a woman on a bicycle appears. The sequence of photos makes it clear that the woman is about to be hit by a trolleybus. Based loosely on Stephen King's novella "The Sun Dog" and Julio Cortázar's short story "Blow-Up" ("Las babas del diablo").


Nina Romanova

Nina Romanova

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N/A


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Tchaikovsky: Eugene Onegin (Dutch National Opera) 2011

Described by Tchaikovsky as ‘lyric scenes’, Eugene Onegin receives a spectacular reinterpretation from the Norwegian director Stefan Herheim. His productions create controversy and excitement around Europe, and here he takes Pushkin’s story of illusion, disaffection and frustrated love, and places the protagonists – world-weary Onegin and naïve, passionate Tatyana – in a triple temporal perspective, referencing the theatrical present, the period of the work’s composition, and the pageant of Russia’s history. Mariss Jansons, renowned for his mastery of Tchaikovsky’s symphonies, conducts this performance from Amsterdam’s Muziektheater.


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