Nina Popelíková

Nina Popelíková

1920-10-14
61 (1982-04-18)

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Most Known for...

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Smoke on the Potato Fields 1977 (6.6)

In this character study by Czech director Frantisek Vlacil, a stout middle-aged physician whose marriage has come apart establishes a practice in a small town. Gradually he's drawn into the lives of his patients—a childless couple, a pregnant girl with a stern mother, the son of a duck farmer—and each relationship reveals a bit more about him and the idyllic but insular community.
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The Apple Game 1978 (5.9)

Sarcastic comedy about the Czechoslovakia of the seventies. A young gynaecologist can't figure out whether to get serious with a young nurse or to stay casual with his married lover. Things get complicated when both women don't want to play his game anymore.
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When the Woman Butts In 1960 (6.5)

Miroslav Hornicek is a deluded young man who is convinced he is Faust incarnate. This turn of mind leads to some ludicrous situations, such as when he believes a woman is really a cat. Before he can be rounded up and interned wherever they keep people with this type of a problem, love enters his life and the clouds that obscured his vision begin to dissipate.
Nina Pope

Nina Pope

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Most Known for...

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The Closer We Get 2015

Scottish director Karen Guthrie’s intimate documentary is a vivid chronicle of her coming to terms with a twofold loss, one past—of her nuclear family shattered years before by her father’s departure to Africa—and one present, when her mother, the family anchor, suffers a stroke. Full of surprising revelations, Guthrie’s personal story becomes an affecting and resonant look at post-colonialism and the complicated bonds of family.
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Bata-ville: We Are Not Afraid of the Future 2005

Bata-ville is a bittersweet record of a coach trip to the origins of the Bata shoe empire in Zlín in the Czech Republic. Against the backdrop of regeneration in their local communities, former employees of the now-closed UK shoe factories in East Tilbury (Essex) and Maryport (Cumbria) are led on a journey that begins as a free holiday but soon becomes an opportunity for a collective imagining of what entrepreneur Tomas Bata's maxim "We are not afraid of the future" means for them in 21st century Britain.