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The most important political, post-military junta satire about the nation, the religion, the education, the family.
A typical experimental film, in which a variety of audiovisual techniques are used to create the sense of polymorphic eroticism as developed by European and Mediterranean cinematography of the 20th century. Combining the methods of “animation” and “live action”, this intricate work embodies the idea of an “ars combinatoria”. The structure is loose, with neither a central axis nor a point where everything converges, contributing greatly to the open-ended character of the film, where rhythm is the key element.
Magic is slowly corrupting the world. In order to save Russia from the same fate, Ivan Tsaritsin with some help from his friends, will try to put an end to this.
