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Nick Masters

Nick Masters

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N/A N/A (5.7)

The uncensored story of one of Australia's most successful bands, INXS. A story of mateship, a story of success and excess, talent and sheer bloody will, set to a pulsating soundtrack including all of INXSs greatest hits.


Nick Masters

Nick Masters

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Most Known for...

Movie Picture

Avengers: Endgame 2019 (8.2)

After the devastating events of Avengers: Infinity War, the universe is in ruins due to the efforts of the Mad Titan, Thanos. With the help of remaining allies, the Avengers must assemble once more in order to undo Thanos' actions and restore order to the universe once and for all, no matter what consequences may be in store.


Nick Masters

Nick Masters

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Most Known for...

Movie Picture

A Fish Story 2023

An eccentric old man in a local pub tells tales too tall to be true.


Movie Picture

Fishbowl 2022

When Newfoundland locks down during the COVID-19 pandemic, a former dancer becomes further trapped in a toxic relationship with her emotionally abusive husband. Increasingly isolated and with only a goldfish as a friend, she is forced to choose between placating her husband and freeing herself.


Movie Picture

If Not to Die 2023

Phillip Early recounts the months spent investigating a cold case. A police interrogator presses him for answers while trying to decode the role of a retired detective/successful author in the mystery.


Nick Masters

Nick Masters

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Most Known for...

Movie Picture

Tiger on the Beat 1988 (6.5)

A seasoned cop and his rookie partner try to solve the murder of a heroin trafficker.


Movie Picture

Law of Honor 1988

A cut and paste movie from director Godfrey Ho that uses archival footage from Maynila 1970: Panganib araw at gabi.


Nick Masterton

Nick Masterton

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Movie Picture

Outsourcing Offshore N/A

For just a few cents, legions of cheap and willing workers from all over the world will competitively carry out human intelligence tasks. Operating from dispersed home offices and disparate bedrooms stretching across the globe this invisible workforce has unknowingly been assigned the task of constructing a film depicting the atomised city they now occupy. They have photographed their workspaces, documented their daily lives and recorded their most intimate fears and desires. Working alone in a team they have collectively assembled a portrait of a new form of city which is defined by its placelessness.


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