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Nick Kline

Nick Kline

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In the quiet corners of the globe, four strangers – a cynical American programmer, an aging Japanese priest, a troubled Arabic mercenary and a mysterious Fijian girl – receive a series of chilling apocalyptic visions. Desperate to understand their frightening visions of the future, these four troubled souls are simultaneously drawn to a dark city in the West where their fates – and the fate of the world – are revealed to be linked together and somehow part of a global conspiracy. Amidst an epic struggle of man, machine and otherworldly fear, these reluctant heroes must be willing to sacrifice everything…in order to know the truth and save us all!


Nick Kline

Nick Kline

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More Art Upstairs 2017 (5.7)

A revolution is taking place in the art world and it isn’t happening in Paris, Berlin or Hong Kong—but in Grand Rapids, Michigan. ArtPrize is the most highly attended art show in the world, and it awards cash prizes larger than all other competitions combined. International critics and general crowds pack bars, galleries and abandoned buildings all over town, taking in over 1,500 works from cerebral conceptualists and weekend hobbyists. An acclaimed jury awards a winner $200,000 and the ballot-carrying public does the same. Nimble cameras follow four artists, each vying not only for critical recognition but for every public vote they can drum up. Part classy game show, part engaging art exploration, More Art Upstairs captures the debates ArtPrize has intentionally (or inadvertently?) triggered: Can culture be democratized? Do artists need or want to connect with audiences? And is the canonical art establishment on its way out? (Myrocia Watamaniuk)


Nick Kline

Nick Kline

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Immemorial 2019

My first cinematic memory isn't quite a memory, but a family story. When I was a child, I would regularly force my poor mother and her friends to watch the opening number of The Lion King, then demand it to be rewound so we could watch it again. I made this film in a contemplative mood, with certain ideas flowing in my head and a certain nostalgia guarding me from the uncertainty of the future. As I was assembling it, I realized these ideas of analog and digital, impermanence, and the images that helped form me were not quite enough. I couldn't run away from the defining event of my life. This is for my father, overcome by life too young. Though the more I watch, I realize it is also for my mother, who has cared so deeply and profoundly for us in his wake.


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