Nicolas Armada Deocampo (born 1959), best known as Nick Deocampo, is a multi-awarded Filipino filmmaker, film historian, film literacy advocate, film producer, author and the director of the Center for New Cinema.
A documentary about a gay nightclub performer with an especially lurid "Spider-man" act. Oliver is a female impersonator who supports his family by performing in Manila's gay bars.
Narrated by Deocampo in English, the film documents the anti-Marcos revolution, the life of Oliver (a transvestite who was the subject of the first film in the trilogy), child prostitution, and the filmmaker's own personal history, including his homosexuality, his filmmaking, and his travels abroad.
A candid story about a Filipino transvestite who works in Japan’s entertainment center in order to support his family. In the daytime, Joan attends to his daily training to prepare him for work as entertainer in Japan. At night, he works as one of the female impersonators in Manila’s gay bars. All these to feed a family of eighteen. Although it will be Joan’s fourth trip to Japan, he still finds it hard to make as much money to make their lives better. Meeting other gay entertainers in the bar where he works, they talk about the difficulties Filipino entertainers experience while working in Japan. The situation is no different though from the life lived by someone like Joan in the Philippines who was once caught in a drug bust operation and sent to jail. Threats and difficulties seem to hound these sex warriors wherever they go.
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During the pandemic, Axel met Lance as he wrestled with the memories of his past lover, unable to let go until a revelation sets him free.
Set in an outdoor camp, 10 boys move in together in hopes of finding a mutual spark. They will face a series of games that allow them to get to know more of each other, with some challenges getting "more physical".
A former basketball team captain finds himself in a tough situation as he is forced to join the school's boys' volleyball varsity team composed of queer members.