N/A
After a comet releases a mysterious virus that begins to kill all of the women in the world, a young couple's relationship is severely tested. They hide out (from both the illness and the savages who hunt the remaining women) in their over-sterilized apartment. Ultimately the duo escapes their self-imposed quarantine to head to the wilderness.
Ainsley is a misanthrope who hates people but when she suddenly finds herself in isolation with no one to talk to, she realizes how much she actually misses connection. Enter Ulysses, a dead mouse in a jar. With a little bit of loneliness, a pinch of imagination, and a mouse-sized tuxedo, Ulysses becomes her training wheels in this newly discovered world of friendship.
Dr. Beaumont Rosewood, Jr. is a brilliant private pathologist who uses wildly sophisticated technology and his drive to live life to the fullest to help a tough-as-nails detective and the Miami PD uncover clues no one else can see.
The Lord of the Libraries: The Return of the Book is a tale of an epic journey of discovery to the KU Libraries. A young freshman hobbit, Frodo, makes a frightening discovery as he settles into his new dorm room. He has inherited a box of college things from his Uncle Bilbo containing a library book that is overdue...long overdue. Fearing an enormous late fine or worse, Frodo and his friend Sam seek the council of Gandalf, who summons Mount Oread's greatest warriors to safeguard the book back to Watson Library. Follow along with this action packed adventure as the fellowship fights off Bookwraiths, and learn a little bit about the Library in the process.
This Kaleidoscope documentary timed in with the release of Nicholas Reid’s book A Decade of New Zealand Cinema. The book cherrypicked Reid's favourites from the renaissance in local movies that began with Sleeping Dogs in 1977. Reid and a who’s who of local filmmakers discuss many of the 50+ features from the previous decade (with Bruno Lawrence ever present). They ponder the uniqueness (or otherwise) of Kiwi film. A fondness for rural and small town settings, and forceful, often conflicted, male leads is explored. Neglected areas — Māori film and more of a voice for women — are traversed.
