The Gamble 1991 ( 5.3)

Don Duong stars as a truck driver who falls in love with a young student girl in a roadside border canteen. Unsure about him, she returns to school but finally decides to throw in her lot with him. This decision forms the gambling motif in the film, a decision which causes her grief, when she later becomes the subject of his gamble.

The Moon in the Foreign Land 2007

In 1993, a ballet dancer, whose marriage is suffering from the recent death of her daughter and financial difficulties, leaves for Russia with her friends to find work to support her husband as well as artistic passion.

The Landfill King 2002

Trong, a self-proclaimed king of a garbage dump, falls in love with the poor flower seller Thuy.

Son of Dragon 2010

The childhood of Ly Thai To, a Vietnamese monarch.

Hồng Hà nữ sĩ 2024

Việt and Nam 2024 ( 6.9)

In the depths of the underground coal mines, where danger awaits and darkness prevails, Nam and Việt, both young miners, cherish fleeting moments, knowing that one of them will soon leave for a new life across the sea.

Furie 2019 ( 6.6)

When a little girl is kidnapped by a trafficking ring, they soon find they messed with the wrong child. Her mother, a notorious former gang leader, is close on their trail and will go to any lengths to bring her child home.

The Tailor 2017 ( 6.1)

The re-enactment of the long dress (ao dai) era in 1960s, Saogon, thought to be the heyday of traditional Vietnamese costumes. Interwoven into that transformation in fashion and style of the ao dai in modern times told through the story of the character of Ba. Audiences will also see somewhere the image of the 60s, 70s full of honest women. An image of Saigon in the past, gentle and steeped in contrast to the rush of a dynamic city will be described by fashion, namely long dress - traditional costumes in Vietnam. All of them are cleverly nested in the story between two families, between mothers and their children, between a tailor and a fabric shop filled with dramatic rage.

Until We Meet Again 1974

On a festive spring day in 1940, two young quan họ singers fall in love. But their relationship is soon ruthlessly disrupted by class injustices, imposed upon both—and many other Vietnamese—by the ongoing French colonial rule and the looming Japanese occupation.

The Bridge 2006 ( 4.2)

A gay Australian man reflects on the immigration problems of his young Russian boyfriend.