Neven Silvestar Kovačević

Neven Silvestar Kovačević

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Vukovar: The Way Home 1994

The story follows a group of Croatian refugees who have been forced to leave their hometown of Vukovar by Serbian forces during Croatia's struggle for independence. The people are settled at a railway station in a village near Vukovar, where they live in a train which is adapted to serve as a temporary accommodation.The situation grows dim as the date of their return proves to be uncertain, and the lives of the survivors and refugees becomes more and more complicated being burdened by PTSP and strong feelings of hope to return to their homestead.
Neven Korda Andrič

Neven Korda Andrič

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The Sand Collectors 1995

Video work tells a story of an art collector as remembered by herself in her old age, and as narrated by her friend, a psychoanalyst. Through this narrative the authors deal with the spirit of avant-garde art in the first half of the 20th century. By layering black and white and color images and sounds the work creates a deep and lively emotional space.
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The Bus 1993

The video starts with a graphic sign from which emerge images, and this procedure points to the fact that any documentary is but an artefact. The narrator searches through documents and reconstructs the life of Lela: in the Middle Ages she was accused of witchcraft; in the 20th century she finds herself in the midst of war, in the future she will leave the planet. Lela's individual destiny is being inscribed into the fate of humanity by means of layering the image; only television shots of the war in former Yugoslavia are presented 'in one layer', clean. The television image has become the only document, the war - the only certainty. Autobus discloses two images of the electronic picture: the one that creates reality, and the other that creates artefacts.
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Intolerance 1991

Based upon a novel by Lela B. Njatin, an extremely fragmented piece of narrative. The film retains all characteristics of the original text, introducing the fragmentary structure both in the video image and music score. The heroine experiences only fragments of events, she gets involved in meetings which start but never end, she has wishes which are outlined, but never consumed. In the video film, all these fleeting and intolerable moments, transvestism and changes of identities are indicated with layering of visual levels and mixing of different sounds: narrations in off, dialogues, noises, radio broadcast. The delusive and ungraspable images fluctuate between reality and dreams.
Neven Kilpatrick

Neven Kilpatrick

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My Milkman, Joe 1958

Educational short film featuring a milkman and his puppet
Neven-K

Neven-K

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Midna 2024

At a traditional bowling alley in Mar del Plata, Midna is dumped by her girlfriend Dani through a voice message. This triggers in her an episode of anger and violence.