Ned Bastille

Ned Bastille

N/A

Most Known for...

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Norbit 2007 (5.678)

A mild-mannered guy who is engaged to a monstrous woman meets the woman of his dreams, and schemes to find a way to be with her.
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Meet Dave 2008 (5.279)

A crew of miniature aliens operate a spaceship that has a human form. While trying to save their planet, the aliens encounter a new problem, as their ship becomes smitten with an Earth woman.
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A Thousand Words 2012 (6.1)

Jack McCall is a fast-talking literary agent, who can close any deal, any time, any way. He has set his sights on New Age guru Dr. Sinja for his own selfish purposes. But Dr. Sinja is on to him, and Jack’s life comes unglued after a magical Bodhi tree mysteriously appears in his backyard. With every word Jack speaks, a leaf falls from the tree and he realizes that when the last leaf falls, both he and the tree are toast. Words have never failed Jack McCall, but now he’s got to stop talking and conjure up some outrageous ways to communicate or he’s a goner.
Ned Bastille

Ned Bastille

N/A

N/A

Most Known for...

Movie Picture

Working with Einstein N/A (7)

Filmed during the commemoration of Einstein's centennial at Princeton's Institute for Advanced Studies, with former colleagues who provide insight and recollection. The panel includes Banesh Hoffman, Peter Bergman, Valentine Bargmann, and Ernst Straus. An understanding of Albert Einstein emerges, giving the audience a sense of the personal side of one of the 20th century's greatest thinkers.
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Making Dances: Seven Post-Modern Choreographers 1980

Made in 1980, this film explores the contemporary dance scene through the work of seven New York-based choreographers. They discuss the nature of dance and the evolution of their own work. Filmed at rehearsals, performances, and during interviews, the film is a unique primary source. The artistic roots of these seven artists can be found in Martha Graham's concern with modern life as a subject for dance and in Merce Cunningham's emphasis on the nature of movement. In the 1960s, the interaction of art forms generated choreographic innovations. Especially influential was John Cage, whose radical ideas served as a point of departure for much of the new choreography. Each of the choreographers in Making Dances draws inspiration from the Graham/Cunningham tradition, yet each makes a highly distinctive statement. Structure, movement in non-fictive time and space, and the nature of movement itself are recurring themes.