Natalie Edwardes

Natalie Edwardes

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N/A N/A (4)

Voetbalvrouwen is a Dutch dramedy favourably compared to Footballers' Wives. Three seasons have been taped since 2006; the first was shown in 2007 on the demissionary channel Tien, the second and third on RTL.
Natalie Brooke Edwards

Natalie Brooke Edwards

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FBI Special Agent Olivia Dunham, brilliant but formerly institutionalized scientist Walter Bishop and his scheming, reluctant son Peter uncover a deadly mystery involving a series of unbelievable events and realize they may be a part of a larger, more disturbing pattern that blurs the line between science fiction and technology.
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N/A N/A (4.4)

The series is about a cruise ship that travels to places around the world.
Natalie Edwards

Natalie Edwards

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Tsunami: Caught on Camera 2009 (6.5)

A minute-by-minute account of the Boxing Day 2004 Tsunami told through amateur video footage of people who were there.
Natalie Edwards

Natalie Edwards

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Gone Mom: The Disappearance of Jennifer Dulos 2021 (7.789)

Jennifer Dulos, the wealthy, Connecticut mother-of-five who mysteriously vanished.
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A Very Merry Bridesmaid 2021 (6.5)

Leah's 30th birthday is on Christmas Eve, the same day as her brother's wedding. Her childhood crush is back in town for the wedding and he is determined to make sure her birthday does not go by the wayside.
Natalie Edwards

Natalie Edwards

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Distraction N/A

Should a punishment fit the crime?
Natalie Edwards

Natalie Edwards

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Audience 1983 (4.3)

Barbara Hammer’s Audience is a fascinating deep cut from the director’s prodigious filmography. Relatively raw in its design, this 16mm diary of audience reactions at retrospectives of Hammer’s work in San Francisco, London, Toronto, and Montreal in the early 1980s bears none of the distinctive visual flourishes and essayistic form one usually finds in her filmmaking. Today, Audience serves as an invaluable historical archive, providing quick but complex portraits of lesbian scenes in different cities and countries: the San Francisco women are bold and raucous, treating Hammer like a celebrity; the London crowd more reserved and tentative; the Canadians politely critical after initial hesitation. It also functions as a testament to the power of Hammer herself as a figure of lesbian culture, showing how fully she engages audiences to incite new forms of discourse about representation.