Natacha Ikoli

Natacha Ikoli

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Most Known for...

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Swarm Season 2019 (2)

In the shadow of Hawaii’s Mauna Kea volcano, a young girl, Manu, and her mother lovingly breed a colony of bees. Meanwhile, as Manu’s activist father protests the construction of a giant telescope on the mountain’s sacred ground, a group of scientists study the landscape in preparation for our inevitable relocation to Mars. Ambitiously linking the earthbound and the cosmic, the intimate and the expansive, director Sarah J. Christman tracks these existentially fraught narratives with an acute attention to time, scale, and historical consequence. As her monumental images gather force, Swarm Season takes on a potent allegorical dimension.
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Silent Beauty 2022 (2)

When director Jasmin Mara López sees a photo of her niece with her grandfather, she is flooded by painful memories of her own childhood sexual abuse at his hands—and the following 24 years of her silence. In this cinematically striking and poetic documentary, López bravely films her story as a willful act to accept difficult truths while finding beauty in the process of healing. As she defies the cultural silence that pervades her family and confronts her abusive grandfather, who is a Baptist minister, a world of generational abuse unfolds, and she quickly discovers she is not alone. Through archival family footage and intimate moments with her family, López has created a film about confronting painful truths and the beauty one can feel when they reach the other side of grief.
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Feet in Water, Head on Fire 2023

Date palms imported and cultivated decades ago flourish in the Coachella Valley in Southern California. A cacophony of voices from across generations reflect on the shifting landscape of the region; some remember the first few acres that were planted, while others enjoy the luxuries of new golf courses. Feet in Water, Head on Fire is a sensorially vibrant 16mm experience that takes us on a journey of past, present, and future. Director Terra Long hand-processed the footage utilizing leftover dates and native plants intertwining the environment into the fabric of the film. Through complex and nuanced scenes, non-sync interviews blossom into a wonderfully gentle but memorable portrait of a community in flux.