Nadia Parfan, born in Ivano-Frankivsk, graduated from the Kyiv-Mohyla Academy and the Central European University. She is a curator and co-founder of "86" Festival of Film and Urbanism.
The municipal district heating company from Ivano-Frankivsk has a cultural offer for its employees. To break away from their daily routine, run-down infrastructure and troublesome clients, they may come to sing in the company choir once a week. The folk and patriotic songs they practice at rehearsals become a bridge between the past communist era and the new political and economic reality. They help them to deal with the shock of transformation and simply spend some time together, just like in the good old times.
Kyiv in 2022. A car races at breakneck speed through the city at dawn. Filmed from a subjective camera angle in a single unedited shot, this remale of Claude Lelouch's "C'était un rendez-vous" captures the emotions in a state of emergency caused by the war.
A full-scale invasion found the Kyiv director in a small Bedouin village in the Middle East. It was warm, safe, and unbearably far from home. Once the director had a prophetic dream. She decided to return to Kyiv, still the hostilities were unfolding. Despite the condemnation of relatives and the long journey, she finally managed to cross the threshold of her home. But the house itself has now become forever different.