"Come Tomorrow" (1963), directed by Yevgeny Tashkov, is a much-loved comedy about Frosya Burlakova, a talented young woman from a remote Siberian village who comes to Moscow with dreams of becoming a professional singer. The film explores themes of hope, talent, perseverance and the pursuit of dreams, while also highlighting the contrast between the practical city dwellers and the idealistic villagers, suggesting that wisdom and truth can be found in both perspectives.
This play is one of the repertory plays of Russian theater – in the first year of production (1878) it was on the stage of seventy provincial theaters. The main interest of the audience was the triangular relationship conceived according to the plot as the basis of a dramatic intrigue.
A certain Chumakov addressed the People's Judge Kavelin. He brought a statement of claim to his son, Sergey Gribanov, in which he demands care, love and alimony from him. Chumakov, who left his family when the boy was two years old, is now afraid to be alone, because Sergei's stepfather has become a real, loving father... Judge Kavelin has to figure out this difficult, but unfortunately, life-changing situation.
