Morihiro Wada

Morihiro Wada

N/A

Most Known for...

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The Recognition Construction: Hyojyutsu (Against Application or Mimesis) 1975

A member of the collective Video Hiroba, Morihiro Wada also used video in his solo projects. In The Recognition Construction, each subject entering the frame is identified by a narrator, while the video camera slowly rotates. As the rotation speeds up the identification becomes more difficult, and the objects ultimately become "indecipherable."
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Situation 1974

A static image of a rock next to a curb is overlaid with the deformed reflection of light and shadows from pedestrian and vehicular traffic. An alternatively whispy and shrill, irregular slide whistle soundtrack is occasionally punctuated by a male voice saying "this is," culminating in an insistent string of "this is, this is, this is." Once the soundtrack falls silent, the camera begins to haltingly zoom out, revealing the reflection to have been caused by the slick surface of the glossy photo of the curb, and the picture itself to have been one of a series of photos of urban details placed in a grid in an exhibition space.
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The Recognition Construction IV: Recognition Construction in Film 1975

Originally shot on 16mm film and presented at Maki Gallery, this work primarily focuses on traffic traveling up and down the major traffic artery Omotesandō in Tokyo. Prefaced by the Wittgenstein quotation included below, the image focuses on the vanishing point—aligning it with the top of the frame in wide shots—and movements of vehicles up and down the boulevard. While the film's first half presents a stationary shot, the second half follows individual cars and motorbikes, zooming in to frame them at a consistent size even as they advance toward and recede from the camera.