The film follows Mir Qanbar, an elderly Iranian man, as he campaigns in the country's presidential election.
The film introduces us to a father and his son; the older man is obese, unwell, and oppressive in his dealings with the younger, who is also deaf and mute. A series of cryptic, spellbinding episodes reveals a tyrannical paternalism at work that has long since hardened into a closed circuit of mutual pain. Enter a mysterious and beautiful woman of unspecified identity, who becomes an agent of change, embodying both an evolved consciousness and the power of the female as a rebuke to bankrupt patriarchy.
Pooneh is stuck in the elevator. A man outside is trying to help her. They exchange numbers and start to talk. This is going to be something more than a rescue mission.
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The eponymous Mark is a homeless crack addict who lives in the parks of Teheran by day and steals from donation boxes (these stand on nearly every street corner) by night. Fate has pushed the once father, husband and successful resident of the United States to the margin of society and has turned him into an outcast. The film shows one night in Marks life and provides insight into the secrets of the city. The films powerful images and personal narration brings the viewer close to the experience of a man whom fate has trapped in a social role inflicted by fate, but who is, nonetheless, aware of his position and of the painful reality that surrounds him.
