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Detective Weiner probes the death of Tomáš Ruml, found in a ruined house. Son of the architect behind a planned gypsy-quarter demolition, Tomáš seems a revenge victim, until Weiner meets Naha and uncovers Tomáš’ blackmail, rape and theft. Guided by baron Tancos, he must rethink the case from a new angle.
Symphonie mixes fiction with reality. The author, Romain Schneid, tells the story of his own claustrophobia in front of the camera when, when he was 12 years old, hiding as a Jew during the German occupation, he could not leave a tiny apartment. He tells and he plays alone all the characters in his drama. He invents, deforms, imagines another end. He is at the same time the author, the narrator and the actor (the actors). Did he really experience what he's talking about, or did all that happen in his head? Are we facing a testimony or a delusion?
In a theater, as the actors agree to set a new play, our protagonist goes to the theater basements full of old costumes to look for Dracula's costume. But, by chance, finds a magic book, which once he opens, it instantly displaces reality and leads him to phantasmagorical journeys.
