In this poetic portrayal of Luigi Ghirri (1943–1992), a master of contemporary photography, the director gives voice and, in particular the image, to the protagonist. The photographer takes the audience on a tour of the outskirts of daily life as seen from the corner of his eye, the area in between what is artificial and authentic or grand and small – the meso-scale.
In an Italian village, where the idyllic beauty of the landscape belies the toughness of life, word has it young Pietro has psychokinetic powers. A tender portrait of a young boy, and an allegory of the science of invisible forces.
The story takes place in March 1999, Kosovo. It is the period of NATO bombing. Massive displacement of Albanians on ethnic basis. Terror, fear, insecurity and hunger have plagued the town of Gjakova.
