Mircea Constantinescu

Mircea Constantinescu

N/A

N/A

Most Known for...

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Mimic: Sentinel 2003 (4.908)

A man enclosed in a plastic bubble, his sister, and their best friend must defend an apartment complex from the mutant Judas Breed insects.
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Hideous! 1997 (5.356)

Dr. Lorca, an eccentric collector of biological oddities - has just "acquired" his greatest specimen: a horrible mutant born of toxic sewage, but the creature's rightful owner wants it back. The collector's clash is cut short though, as the sickening specimen comes to life, re-animating an angry, oozing little army of ferocious freaks
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Stefan Luchian 1981 (6.5)

Recreating the early twentieth century in Bucharest, leading to an unforgettable journey to the cultural space of Romania bohemia. The film follows the life of one of the famous for his landscapes and still lifes most renowned painters of Romania.
Mircea Constantinescu

Mircea Constantinescu

1904-12-18
67 (1972-03-06)
Râmnicu Sărat, Buzău, Romania

Râmnicu Sărat, Buzău, Romania

Most Known for...

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Memories of My Childhood 1964 (7.222)

Based on Ion Creanga's book, the story of a child from his childhood to his manhood.
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Two Lottery Tickets 1959 (7.9)

1957 film adaptation of Romanian playwright Ion Luca Caragiale's novella “Două loturi” (Two Lottery Tickets, 1901). The scenario was written by director Jean Georgescu, one of the most skilled Romanian filmmakers of the 1940s and 1950s, while the directing belongs to Aurel Miheleş and Gheorghe Naghi, at that time both recently graduated from the All-Union State Institute of Cinematography in Moscow. This is the second feature film in colour from Romania. Despite the great public success, the film was often criticized by reviewers, mostly for its unhandy directing from the two debutants. Miheleş and Naghi would however continue their collaboration and release another two Caragiale adaptations, of which “Telegrame” (Telegrams, 1959) was nominated for the Palme d'Or (Golden Palm) at the 1960 edition of the Cannes festival.
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Darclée 1960 (5.2)

In this undistinguished drama, Darclee (Silvia Popovici) is a lead singer for an opera company in Romania with a heavy load of responsibility. It seems the company is in dire need of a decent physical structure for their performances and a brace -- or more -- of good singers to improve their image and sales. In other words, they need just about everything except an excellent lead singer; Darclee fills that bill. And so the company rather unfairly leans on her to get the people and the funds they so desperately want. Matei Jacob directs.