What does the energy harnessed through orgasm have to do with the state of communist Yugoslavia circa 1971? Only counterculture filmmaker extraordinaire Dušan Makavejev has the answers (or the questions). His surreal documentary-fiction collision begins as an investigation into the life and work of controversial psychologist and philosopher Wilhelm Reich and then explodes into a free-form narrative of a beautiful young Slavic girl’s sexual liberation.
A man who used to be a political brigade commissar offended the society. Twenty years after the war, he comes to visit the old monument erected in honor of his dead comrades, unwanted and abandoned. They were roll-calling the dead and alive, but his name was not mentioned. And he stood before his comrades, face to face. He stood, and it looked as if he had never existed.
Engineer Maric finds out about an affair between his wife Rina and his best friend, a lawyer Novakovic. Maric leaves the house with suicidal intentions. At the big funeral, Novakovic consoles unfortunate Rina, while in the funeral procession a whole bunch of suspicious people try to claim close relations with the deceased one in order to get hold of a piece of his inheritance.
