Milo Quesada

Milo Quesada

N/A

N/A

Most Known for...

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Black Sabbath 1963 (7.19)

Three short tales of supernatural horror. In “The Telephone,” a woman is plagued by threatening phone calls. In "The Wurdalak,” a family is preyed upon by vampiric monsters. In “The Drop of Water,” a deceased medium wreaks havoc on the living.
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The 10th Victim 1965 (6.6)

In the near future, big wars are avoided by giving individuals with violent tendencies a chance to kill in the Big Hunt. The Hunt is the most popular form of entertainment in the world and also attracts participants who are looking for fame and fortune. It includes ten rounds for each competitor, five as the hunter and five as the victim.
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The Girl Who Knew Too Much 1963 (7)

A tourist witnesses a murder and finds herself caught up in a series of bloody killings.
Milo Rau

Milo Rau

48 (1977-01-25)
Bern, Switzerland

Most Known for...

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The Congo Tribunal 2017 (7.5)

The war in Congo has caused more than six million deaths over the last twenty years. The population is suffering, but the offenders stay with impunity. Many people see this conflict as one of globalisation's crucial econimic distribution battles because the country has major deposits of many high-tech raw materials. Milo Rau, one of Europe's most acclaimed theatre directors, succeeds in gathering victims, perpetrators, observes and analysts of the conflict for a unique civil tribunal in eastern Congo. The documentary film brings these spectacular court trials to life on the big screen and creates an unvarnished portrait of the largest and bloodiest economic wars in human history.
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The New Gospel 2020 (6.8)

What would Jesus preach in the 21st century? Who would his disciples be? And how would today's society respond to the return of the Son of God? With The New Gospel, Milo Rau is staging a "Revolt of Dignity". Led by political activist Yvan Sagnet, the movement is fighting for the rights of migrants who came to Europe across the Mediterranean to be enslaved on the tomato fields in southern Italy and to live in ghettos under inhumane conditions.
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The Moscow Trials 2014 (5.5)

In March 2013, a courtroom was set up to provide a stage for a show trial that pitted the different sides of the cultural war in Russia. Yet the people on stage were no professional thespians but real-life actors: artists, politicians, church leaders, real lawyers, a real judge and a real jury. Director Milo Rau achieved a unique and oppressive insight into Russia under Putins authoritarian reign.