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The circularity of violence seen in a story that circles on itself. In Macedonia, during the war in Bosnia, Christians hunt an ethnic Albanian girl who may have murdered one of their own. A young monk who's taken a vow of silence offers her protection. In London, a photographic editor who's pregnant needs to talk it out with her estranged husband and chooses a toney restaurant.
Story about a vengeance, about the secrets we carry and the roles we play.
A tale of family and loyalty, love and loss, betrayal and redemption. As the Mob destroys the life of a big family and leaves them on the brink of survival, a powerful, yet secret love, burns between Marko (a gangster) and Angela - two high school sweethearts. Good fortune smiles on the family (a bohemian collective of lovable eccentrics) as they find a long-lost treasure, but Angela betrays them in the name of love by stealing it in order to save Marko's life from the Mob. In the end, everyone reaps what they sow, and their love ends inauspiciously.
Spring 2020. The coronavirus pandemic has broken out. Theaters have stopped working. Rehearsals of plays have been suspended. Silence, emptiness, ominous silence. Nevertheless, director Ana receives an offer to dramatize and direct “The Goalkeeper's Fear of Penalties”, a masterpiece by Peter Handke. It is a great challenge and a chance to jumpstart her stalled career. The problem is that the creative process emotionally inhibits her and blocks her sexuality, but with the persuasion of her best friend Sanja – Ana nevertheless embarks on the creative process. The director is faced with typical theatrical folklore.
