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When the Snow Queen, a lonely and powerful fairy, kidnaps the human boy Kai, his best friend Gerda must overcome many obstacles on her journey to rescue him.
According to the story of the same name by Aleksandr Avdeenko. The end of the 50s. Transcarpathia. Two saboteurs cross the border near Tissa. One dies during detention, and the second, under the guise of a front-line soldier Ivan Belograi, appears at the state farm and begins to look after Theresa, whom he met by correspondence. Frontier guard Andrei Smolyarchuk, in love with Theresa, is the first to suspect a spy and is trying to find out what his purpose is...
On the evening of May 9, 1945, when Moscow is noisily and cheerfully celebrating the Victory Day, a young girl agronomist Zina Sokolova and a sailor officer Lavrentyev meet in the compartment of the Moscow-Vladivostok train. The sailor takes the lively, direct character of the girl for windiness and frivolity. Sokolova also reacted frowningly and mockingly to the satellite. To get to know each other better, travelers are helped by nuisance: they are behind the train, and the rest of the way they are together, getting to know people and the life of the country along the way.
Stephen Wadsworth’s production of Mussorgsky’s epic masterpiece brilliantly captures the suffering and ambition of the Russian people at a critical time in their nation’s history. René Pape is riveting as the Tsar of the title, giving a commanding and charismatic performance of one of the greatest bass roles in the repertoire—his Boris is dominating, tortured, flawed and utterly unforgettable. The extraordinary cast and the Met Orchestra and Chorus are led by Russian maestro Valery Gergiev, the foremost Mussorgsky interpreter of our time.
