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Mikhail Bocharov

Mikhail Bocharov

1919-09-12
87
Grigoryevo, Tulskaya oblast, Soviet Russia

Grigoryevo, Tulskaya oblast, Soviet Russia


Most Known for...

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Moscow Does Not Believe in Tears 1980 (7.6)

This is a life story of three girlfriends from youth to autumn ages. Their dreams and wishes, love, disillusions...


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A Fox Hunt 1980 (4.7)

A provincial Soviet town. Factory worker Victor Belov is beaten up by two teenagers in the park. One of them, Vladimir Belikov, goes to a correction labor settlement for two years, the other is put on probation. Belov goes on with his life and work. Life is simple and unambiguous: the factory, the wife, regular factory sports competitions. But the memories of the trial keep coming back. Everything was not done as properly as it had seemed then. He wants to change the fate of the accused, goes to the labor camp, obtains the right to visit him there and advocates his early release…


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Promised Heaven 1991 (5.37)

In the new Russia, former middle class citizens find themselves out in the dumps. Literally. They build homes, elect their own government, work, beg, scavenge, date and fight all while living in a huge city dump. Some try to beat the odds and return to society, but it seems that there is only one place left for them to go...


Mikhail Bocharov

Mikhail Bocharov

N/A

N/A


Most Known for...

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N/A N/A (7)

The beginning of the 2000s, a small village on the highway leading to Moscow. The colorful cafe "Cuba" is located here, and Tamara, strong and sharp-tongued, manages it.


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It's Not Forever 2019 (3)

Most of us say the word "Mama" without thinking. But there are children who have never uttered this word in their lives. The film is about these children, orphans. In these children, no less love than in each of us. And they are waiting. Sometimes too long. But they never cease to believe for a second that one day they will be able to say this simple word. The word "Mama" ...


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The Planet 2025

August 1960. Director Nikolai Berentsev is working on a large-scale science fiction film about an expedition to Venus. The construction of grandiose decorations begins in the pavilion. Berentsev himself develops models of planets and spacecraft, comes up with special devices for combined filming. He tries to imagine and visualize something that no one has ever seen — life on other planets. He believes that fantasy should run ahead of science, but faces skepticism from colleagues and the scientific community. In the end, he himself begins to doubt whether his film is needed by the audience, why these dreams of Space, when there are so many unresolved problems on Earth.


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