A symphony of the city in the heights, the illness of a worker, the nightmare and his redemption.
Amid the lunar landscapes of the Bolivian mountains, the few traces of human presence seem minuscule, anecdotal. Shot by shot, Miguel Hilari’s camera follows these clues that lead to the city and its sonic confusion, where faces are captured with the same attention and poetry as the environment in which they live.
An exploration of the social, emotional and historical dimensions of a photographic archive through the “excavation” work carried out by the heir Julio Cordero on the collection of his grandfather and his family. This collection constitutes one of the most significant visual documents of the 20th century in Bolivia.
