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During the 1972 Munich Olympics, an American sports broadcasting crew finds itself thrust into covering the hostage crisis involving Israeli athletes.
When 22-year-old Rainer Werner Fassbinder storms the stage of a small, progressive theatre in Munich 1967, and seizes the production without further ado, nobody suspects this brazen young rebel to become one of the most important post-war German filmmakers. Despite early setbacks, many of his films breakout at the most renowned films festivals and polarise audience, critics and filmmakers alike. His radical views and self-exploitation, as well as his longing for love, have made him one of the most fascinating film directors of this time.
It's his last chance to get back on his feet. And so Philipp Keyser knows no scruples as he approaches the young painter Alma, to find a lost painting, which is in the possession of a mysterious old man. Too late, Philip is clear that he expires more and more the young woman. In the main roles of Dominik Graf's film "In the evening of all days" Friedrich Mücke and the great theater actor and narrator Ernst Jacobi are to be experienced.
A reorganization within a crime syndicate.
