Michiko Hoshi

Michiko Hoshi

98 (1927-01-20)
Tokyo, Japan

Most Known for...

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Ghost in the Well 1957 (7.8)

Harima Aoyama (Chiyonosuke Azume) was a young hatamoto (samurai bannerman) to the Shogun. He seduced his commoner house maid Okiku (Hibari). He promised that his love was no passing infatuation & she would never suffer for it. She resisted his charms for some while knowing full well that they are of classes that do not intermarry, but in time he broke down her resistance, for how could she help but love him. Political expedience puts the young hatamoto in the way of a marriage with a woman of his own station. This will cement family connections & see his family safely through a crisis, at a time when many clans were finding themselves abolished on any pretext.
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Souls in the Moonlight III 1959 (6.6)

Master swordsman, Tsukue Ryunosuke is confronted by the families of his victims. Will justice be served for the lost innocent lives? The conclusion of the famed Jidaigeki series is an amazing film, with a completely different perspective on the story from the later versions. While the international audience is more familiar with the “Sword of Doom” and “Satan’s Sword” versions of Daibosatsu Toge (The Great Bodhisattva Pass), the “Souls in the Moonlight” trilogy casts an entirely different light on Ryunosuke and his motives. Can this brutal killer be brought to justice, or is living his life as a blind wanderer a more terrible fate? His sword skills have not diminished, nor has his desire to kill!
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Roughneck From Asama 1958 (6.6)

When Boss Juzo's Shinmachi Yakuza family struck fear into the hearts of his adversaries, Boss Shohei's Okabe Yakuza family with a merciless gang of raiders, Itaro of Asama was missing. With the courage of a lion he had gone off to face the enemy and settle the score all by himself. As a result he had to take the blame in place of Boss Shohei, and went off to adventures on his own.