Michele Joyce

Michele Joyce

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Most Known for...

Movie Picture

Salomé 2015

The film painting is a simultaneous whole to be retro-lit, its material is taken from biblical laconism: Herod marries his brother's wife, Herodias, mother of Salome. John the Baptist condemns this union and is imprisoned by Herod, who nevertheless fears eliminating him given the reputation of the prophet. At a banquet that Herod offered to his hosts, Salome performs a dance that exalts the generosity of Herod ready to perform under word in front of his hosts, a wish to Salome. Herodias advises him to ask for the head of John the Baptist.
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There is Nothing Left of the sea but its Sound N/A

A reflection on the landscape and a dialogue with the welsh poet Dylan Thomas. Images are in-camera editing, three Super 8 cartridges of three minutes by chapter. All four chapters or ‘territories’ are dialectical connexions between sound and image, improvisation related to the image, and montage thought through the sound.
Michelle Joyce

Michelle Joyce

N/A

N/A

Most Known for...

Movie Picture

Ascension of the Demonoids 1985 (4)

George Kuchar received his only funding grant for this film ($20,000 from the NEA), and so, freed from the usual financial restraints, he was determined to have a good time and make a “spectacle” with “tons of color” and dazzling superimpositions. A big, colorful tapestry about rumors that are in all of the previous UFO movies. A loose story line that weaves in and out of the UFO phenomenon.
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Yolanda 1981

A film about a housewife obsessed with the idea of a large hairy creature, 12 feet tall, with big feet. Chronicles her eventual breakdown in no uncertain terms.
Movie Picture

The Nocturnal Immaculation 1980 (5)

Two men, two women, one God and many devils. Add a pinch of vengeance and a dash of mental illness, let simmer with high ideals, then take a mouthful and hang over the railing.