Michel Tyabji

Michel Tyabji

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Most Known for...

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Walk Run Cha-Cha 2019 (5.6)

Paul and Millie Cao lost their youth to the aftermath of the Vietnam War. Forty years later, they have become successful professionals in Southern California-and are rediscovering themselves on the dance floor.
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I Married Who? 2012 (6.2)

Straight-laced Jordan (Martin) is about to marry Peter (Snedeker), a clean-cut ambitious attorney. Before she walks down the aisle, Jordan and her best friends, Claire (Adrienne Frantz) and Jessica (Daphnee Duplaix), head to Vegas for a bachelorette party, because what happens in Vegas stays in Vegas, right? But when Jordan wakes up the next morning unable to recall the night before, she panics when she finds she’s in movie star Matt's (Ethan Erickson) hotel suite with a gigantic diamond on her finger and a marriage certificate lying nearby. Before Jordan can have the marriage annulled and put this nightmare behind her, the impromptu wedding explodes into a publicity stunt fueled by Matt’s manager Eric (Bruce Nozick) to promote his latest movie. With her wedding day approaching, Jordan finds herself more confused than ever when she starts falling in love with the movie star she’s married to instead of the fiancé she thought was her perfect match.
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Hello 2014 (5.6)

When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.
Michel Tyabji

Michel Tyabji

N/A

N/A

Most Known for...

Movie Picture

8 Portraits, Scenarios: Death of Reality, Fiction, Truth & Lies 2025

A director attempting to create an unconditionally truthful film becomes obsessed with the topic of death. In an intrusive way he relentlessly pushes dark scenarios of death aimed at his portraitures, creating a tension ridden and emotional set, blurring the lines of experimental docu-fiction drama.