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After losing the love of his life to a cruel Philistine prince, a young Hebrew with Supernatural strength defends his people, sacrificing everything to avenge his love, his people, and his God.
A group of seemingly humanistic trucks takeover a truck stop and starts killing everything in sight. The remaining townsfolk must band together and come up with a way to murder the inanimate objects, a seemingly difficult task considering the abnormal circumstances.
A couple has a fight over a game of Scrabble unaware that a full-scale nuclear war has started.
The main plot of this rampant collection of scenes from the streets of the lower East Side of New York revolves around Frank and Anna Maurrant and their daughter Rose. A violent and tough character, Frank fails to see his wife’s growing despair due to his lack of affection. When he discovers her with her lover, he shots them both and goes to jail, leaving behind a heartbroken Rose who, after having experienced relentless harassment by two aggressive suitors, misses her one true chance at love. The opera ends by showing the streets of New York City moving on from these mundane events in total indifference.
Reduced to poverty by slander, a blacksmith seals a pact with the devil for seven years of work and good living. When his time is up, he outwits the messengers of Hell, only to be turned away from the gates of heaven. It is a rare treat to discover an unknown opera, all the more so when opera houses are forced to remain closed. In Ersan Mondtag’s vivid, politically charged staging, Schreker’s ‘magic opera’ enchants as a colourful cocktail of musical influences ranging from reminisces of Kurt Weill to baroque counterpoint. Co-produced with Nationaltheater Mannheim.
