Perpetual motion is the central theme of this video composition in which Bielický connects various physical and mechanical movements in several layers. It is also the first video in which his characteristic style of video collage is fully established.
Although Bielický works with video, he actually understands video as the point of intersection between story, object, and electronic signal. The same is true of his miniature Im Herbst, in which he combines shots of nature, the body, and TV monitors.
In 1982 Joseph Beuys created one of his fat installations in his studio at the academy in Düsseldorf. Fat Corner consisted of five kilograms of butter placed in the corner of a room five meters above the ground. After his death in 1986, the installation was accidentally removed and destroyed. Bielický’s work refers to this infamous event and is also a tribute to the personality of the eminent artist.
