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Pegah talks about Gholam, a man who’s not like her father, mother, uncles, or aunts, even though he’s always present at family gatherings. Gholam films these everyday scenes with his own camera. At the time, Pegah can’t imagine what the purpose of these films might be, but she’s happy to pose before the lens of this family friend, who she’s certainly very fond of.
A little boy faces the dying moments of a lonely old woman.
The shadow represents the 'blackness', that is, that which is isolated and can not be completely integrated with the human person. 'Carl Gustav Jung'
