During the 2020 lockdown, Lucrecia Martel returns to her home in Salta, Argentina’s most conservative region. Here she follows Julieta Laso who, like a muse, introduces her to a group of female artists and defiant people who exchange glances and opinions around a fire.
Perhaps what has already been lived is more important than what’s yet to be lived, Antonio thinks as he burns his father's belongings. Ships and Cathedrals tells of his encounter with Emilia and how he manages to break out of the inertia of his life.
