Contemplates the filmmaker’s relationship to the painter Howard Hodgkin. The highly personalised domestic interior of Hodgkin’s London home becomes a container to explore this relationship: as objects and belongings draw out themes of personal loss, memory and identity.
Burdis' father recalls his memories of searching for the wreckage of Pan Am Flight 103, after the aeroplane was destroyed by a bomb during its scheduled flight from Frankfurt to Detroit via London and New York City on December 21st, 1988, in what is often referred to as the Lockerbie Bombing.
