Matt Danon

Matt Danon

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Taken 2008 (7.398)

Bryan Mills, a former government operative, is trying to reconnect with his teenage daughter Kim. After reluctantly agreeing with his ex-wife to let Kim go to Paris on vacation with a friend, his worst nightmare comes true. While on the phone with his daughter shortly after she arrives in Paris, she and her friend are abducted by a gang of human traffickers. Working against the clock, Bryan relies on his extensive training and skills to track down the ruthless gang that abducted her and launch a one-man war to rescue his daughter.
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National Treasure 2004 (6.641)

Modern treasure hunters, led by archaeologist Ben Gates, search for a chest of riches rumored to have been stashed away by George Washington, Thomas Jefferson and Benjamin Franklin during the Revolutionary War. The chest's whereabouts may lie in secret clues embedded in the Constitution and the Declaration of Independence, and Gates is in a race to find the gold before his enemies do.
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Face/Off 1997 (7.047)

In order to foil a terrorist plot, an FBI agent undergoes facial transplant surgery and assumes the identity of a criminal mastermind. The plan turns sour when the criminal wakes up prematurely and seeks revenge.
Matt Dano

Matt Dano

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Still Bastards 2007 (6)

Almost a decade since the release of "Lil Bastards" Wildcats and IS Design have teamed up to produce "Still Bastards". The sequel to the video that kick started the Wildcats legacy.
Matt Danowski

Matt Danowski

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Requiem for a Whore 1989

The last day in the life of a NYC streetwalker.
Matt Danowski

Matt Danowski

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The Woman Next Door N/A

A narrative "steeped in alienation," The Woman Next Door is the story of a reclusive male tenant in a New York City apartment, whose life is disrupted by the arrival of a new next-door neighbor. Spurred initially by simple curiosity, the tenant begins to anticipate and follow the woman's movements, eventually assuming the role of voyeur. Seen entirely from the tenant's point-of-view, this is a bleak narrative of anonymity, isolation, and expectation. Barr writes: "The man's life is so restrictive, that every sound she makes, every glimpse of her becomes a monumental event." With its echoes of Alfred Hitchcock and Michael Powell, its limited language and strict economy of means, this work relies on the visual structure and subtle ambient soundtrack to convey the narrative in a spare and minimal style.