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Mats Lundell

Mats Lundell

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At the Back of the Screen 2020

A documentary about Malga Kubiak and her team. It's not only a movie about her, but also about the situation of independent, lesbian and queer cinema in Poland, Europe and all over the world. Malga is a director, activist, mother, daughter and grandmother. Her family is constantly engaged in her work. She made over 40 movies about such queer icons as Pasolini, Annemarie Schwarzenbach, F.G. Lorca, Andy Warhol or Lizzie Siddal, the muse of Pre-Raphaelites.
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Mask of Life on Yukio Mishima 2010

Masks on Yukio Mishima are spectacles of crossing the lines. Mishima crossed the line with the life he led and death he had chosen. Text of Mishima are beats of beauty and signs of love. Director looks into eye of reality. We the viewers have no interest in atomic bombs, dead people, forced love. What is left to us? Military drill, suicide or possibly love? Masks take you farther, Kubiak takes no compromise, Masks are bloody long expressive; give the questions and no straight answers. She lets you look at it and finally rips of the mask after the mask. You might get your vulnerability back.
Mats Lundell

Mats Lundell

N/A

N/A

Most Known for...

Movie Picture

Game Girl 2006

Black crime comedy dogma in game-girl. Film directors couple struggle to make a film, the man is a neurotic alcoholic, the woman is a bisexual nymphomaniac. Raid drivers loose the car. Thieves are in action, everybody tests coke, etc. The End is romantic deadly decadent.
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D'Vinci Testa Rosa Now 2022

The radical Polish director Małga Kubiak is regularly represented with her films at the Pornfilmfestival Berlin. In 2016 we showed “Andy Warhol to se vrati: boyz” and in 2019 followed “Federico Garcia Lorca Noir Despair”. Last year she was in the festival program with “Xreens”. In her latest film “D’Vinci”, the filmmaker again reflects on a famous artist. As expected, it did not turn out to be a typical biopic, and Kubiak dives deep into the meaning that her films and her way of working have and had for herself and for others – as always in her incomparable no-budget style. In today’s conservative Poland, her way of making films is no easy feat.