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How does one choose between being morally right but legally wrong? When Desmond, a police inspector is presented with the pressing problem of saving a little girl from death, he has to make one of the toughest choices in his life. Does he break the law to save her or does he allow her to die as it may be God's will?
In moving through waiting rooms, the distance is removed as we follow a young man in a metaphorical cycle of life through interpretive dance, a form of contemporary dance wherein the dancer improvises and reacts to his environment: a void deck acting as a mystical passageway taking him in a journey across time where he encounters his boyhood self and his future. As with life, dance in a larger concept is abstract.
