Martin Fink

Martin Fink

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One Flew Over the Cuckoo's Nest 1975 (8.414)

A petty criminal fakes insanity to serve his sentence in a mental ward rather than prison. He soon finds himself as a leader to the other patients—and an enemy to the cruel, domineering nurse who runs the ward.
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In Like Flint 1967 (6.1)

Flint is again called out of retirement when his old boss finds that he seems to have missed 3 Minutes while golfing with the President. Flint finds that the President has been replaced by an actor (Flint's line [with a wistful look] is "An Actor as President?") Flint finds that a group of women have banded together to take over the world through subliminal brainwashing in beauty salons they own.
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Beautiful 2000 (5.8)

Determined to win the Miss American Miss pageant, Mona is ready to sacrifice anything and everything to guarantee herself the crown including her own daughter! She manages to persuade her best bud to raise the kid as her own (Miss AM can't be a mom), but just when this beauty-queen wannabe thinks her prize is in sight, she's surprised by a come-from-behind competitor. Love.
Marty Finkelstein

Marty Finkelstein

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Pin 1988 (6.732)

Pin, a plastic medical dummy, has been the fixation of Leon since youth. Now grown up and orphaned in an accident, Leon brings Pin home to live with him and his sister Ursula, much to her reluctance. Soon, however, Leon's fixation on Pin spirals out of control, and Ursula must face the devastating consequences.
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The Kiss 1988 (5.76)

After the death of her mother, a teenage girl is faced with bizarre supernatural occurrences when her mother's estranged sister arrives and begins to infiltrate her and her father's lives.
Marty Fink

Marty Fink

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Most Known for...

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Please Hold 2025

An experimental documentary engaging with decades of DIY activist media, two death bed/legacy videos, and the wisdom of many living AIDS workers, as we all sit together in one (changing) format, video—VHS, hi-8, digital, Zoom—to address these and other questions: How do neighborhoods, sweaters and scarves, videotapes and queer bars hold ghosts? How do we let them go?