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Martine Bartlett

Martine Bartlett

1925-04-24
80

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Most Known for...

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Splendor in the Grass 1961 (7.5)

A fragile Kansas girl's unrequited and forbidden love for a handsome young man from the town's most powerful family drives her to heartbreak and madness.


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N/A N/A (7.4)

A young woman whose childhood was so harrowing to her that she developed at least 13 different personalities.


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No Way to Treat a Lady 1968 (6.6)

Christopher Gill is a psychotic killer who uses various disguises to trick and strangle his victims. Moe Brummel is a single and harassed New York City police detective who starts to get phone calls from the strangler and builds a strange alliance as a result. Kate Palmer is a swinging, hip tour guide who witnesses the strangler leaving her dead neighbor's apartment and sets her sights on the detective. Moe's live-in mother wishes her son would be a successful Jewish doctor like his big brother.


Martin James Bartlett

Martin James Bartlett

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Martin James Bartlett: Fondation Louis Vuitton 2019

A recital by concert pianist Martin James Bartlett on 25 October 2019 at the Louis Vuitton auditorium in Paris, performing works by Bach (arr. Busoni, Hess), Mozart, Schumann (arr. Liszt), Liszt, Granados, Prokofiev, and encores by Gershwin and Schumann. Part of the Fondation Louis Vuitton's "new generation" recital series.


Martin Bartlett

Martin Bartlett

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Most Known for...

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Electro-Pythagorus: A Portrait of Martin Bartlett 2017 (8)

Electro-Pythagorus is an intimate and subjective portrait of the late Martin Bartlett, the Canadian electronic music pioneer who studied with Pauline Oliveros, David Tudor, John Cage, and Pandit Pran Nath. His contribution as an interdisciplinary composer, educator, and founding member of Western Front, though undoubtedly extensive, is in danger of being erased from cultural memory since his death from AIDS in 1993. Navigating an array of archival materials including letters, correspondences, notebooks, personal photos, and a huge body of unreleased music and field recordings held at the archives of Simon Fraser University, Electro-Pythagoras is a journey through the evolution of Bartlett’s musical time and space, softly guided by Luke Fowler’s insightful camera and montage—creating an experimental portrait that defies one-dimensionality.


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