Martin Oberhauser

Martin Oberhauser

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Most Known for...

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Breathing 2011 (6.7)

Through his work at a morgue, an incarcerated young man trying to build a new life starts to come to terms with the crime he committed.
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The Tobacconist 2018 (6.5)

Vienna, 1937, on the eve of the annexation of Austria into Nazi Germany. The young and inexperienced Franz Huchel begins to learn about both the joys and hardships of life by working as an apprentice to the mutilated war veteran Otto Trsnjek in a small tobacco shop, where he meets the famous psychiatrist Sigmund Freud, a regular customer, who will become a valuable friend in times of chaos and uncertainty.
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Zurück ins Leben 2013 (6.333)

Maria has been living in a retirement home in Vienna for almost two years, but she is far from finished with life. She tries to break up the monotonous routine with creative ideas, much to the chagrin of the prickly home manager, who wants to manage her oldies with as little stress as possible. However, the residents are grateful for any change of pace, and former bar pianist Jakob in particular loves Maria's boisterous vitality. He keeps telling her about his East Prussian homeland and his childhood friend Paul, whom he lost sight of after the war.
Martin Oberhaus

Martin Oberhaus

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Most Known for...

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Klappe Cowboy! 2012 (5)

Self-proclaimed directing talent Cowboy comes to Berlin with the aim of finally making a big movie. He confidently accepts every assignment, only for it to lead to disaster. When Cowboy meets the artist Yps and shoots an art porn film with her, he stirs up an artistic can of worms that far exceeds his amateurish qualities.
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Simplify Your Soul 2014

A city, a man, a woman. This time it's glittering Zurich. The protagonists: Karl and Lisa. They fall in love. The usual. But Karl is a so-called 'loser'. Does drugs, borrows money and is in debt everywhere. Responsibility is alien to him. He lives day to day, detests relationships and he's heading straight for the abyss. Finally, when he loses Lisa, too, he has a major breakdown and finally begins to fight for both her and himself. Lisa is disappointed by Karl's way of life, even though she isn't a shining example of responsibility herself. Both are running from reality. And what was that about 'devotion', 'freedom' and 'trust'? This is a film about love. Not the conquering-all kind but real love. With all its weaknesses, its volatility, and its egoism.