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Markus Fehlmann

Markus Fehlmann

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There Is Only One Way to Hold a Knife 2023 (10)

What does it even mean to superlike someone? In this four-minute chamber play, a nameless protagonist prepares dinner for a date who almost certainly won’t show up. She speaks her thoughts out loud for the first time, whispering to the food as if it were her absent lover—gently at first, then with growing violence. Between chopped vegetables and unanswered messages, a kitchen transforms into a stage for self-determination, desire, and silent brutality. A film about miscommunication, modern dating, and the absurd poetry of drifting between never seeing each other again and maybe forever.


Markus Fehlmann

Markus Fehlmann

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Most Known for...

Movie Picture

Go-Rilla Means War 2017

Go-Rilla Means War derives from a decayed 35mm film discovered in the abandoned Slave Theatre, once the center of Black culture and civil rights organizing in Brooklyn. Featuring Black men in various states of martial arts training, the film's faded and discolored frames are a metonym for the media demonization of Black bodies in the context of the gentrification of Bedford-Stuyvesant.


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