Movie Cosmos - LookupActor

Actor Mark Rappaport

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The Scenic Route 1978 ( 5.4)

An experimental drama that spins the tale of a woman, her sister, and the man who completes the triangle. Told through such fertile sources as grand opera, classical painting, and Victorian melodrama.

Exterior Night 1993 ( 5.5)

Shot in high-definition video using rear-screen process plates from classic Warner Bros. films noirs. A young man (in color) searches for his past through black-and-white scenes from "The Big Sleep," "Mildred Pierce," and "Strangers on a Train."

Rock Hudson's Home Movies 1992 ( 3.5)

In this revisionist documentary, actor Eric Farr re-creates the character of Rock Hudson in order to take a look back at his films. It compares the actor's screen (and public) image with his real life and shows certain scenes, lines and situations in his films to insinuate that Hudson may have been gay.

Actor Mark Rappaport

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The Running Man 1987 ( 6.543)

By 2017, the global economy has collapsed and U.S. society has become a totalitarian police state, censoring all cultural activity. The government pacifies the populace by broadcasting a number of game shows in which convicted criminals fight for their lives, including the gladiator-style The Running Man, hosted by the ruthless Damon Killian, where “runners” attempt to evade “stalkers” and certain death for a chance to be pardoned and set free.

Actor Mark Rappaport

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Black Tar Road 2016 ( 3.654)

On a Black Tar Road between nowhere and somewhere, two misunderstood women find love in between the cracks of hardships.

Actor Mark Rappaport

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Blue Water, White Death 1971 ( 6.8)

Peter Gimbel and a team of photographers set out on an expedition to find and film, for the very first time, Carcharodon carcharias—the Great White Shark. The expedition lasted over nine months and took the team from Durban, South Africa, across the Indian Ocean, and finally to southern Australia.

Actor Mark Rappaport

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Voices & Visions: Walt Whitman 1988

Walt Whitman was the first major poet to create a truly American vision and style. His extraordinary example gave American verse much of its subsequent character and diction. Rejecting traditional constraints of form and subject matter, Whitman considered democracy itself appropriate grist for his own poetic mill, inventing a radically different sort of free verse to express what he had to say.